Tsurezuregusa Essays In Idleness

Despite the turbulent times in which he lived, the Buddhist priest Kenkō met the world with a measured eye. As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha.

In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.

Essays in Idleness: The Tsurezuregusa of Kenkō3.9 · Rating details ·  718 Ratings  ·  58 Reviews

Written sometime between 1330 and 1332, the Essays in Idleness, with their timeless relevance and charm, hardly mirror the turbulent times in which they were born. Despite the struggle between the Emperor Go-Daigo and the usurping Hojo family that rocked Japan during these years, the Buddhist priest Kenko found himself "with nothing better to do, jotting down at random whaWritten sometime between 1330 and 1332, the Essays in Idleness, with their timeless relevance and charm, hardly mirror the turbulent times in which they were born. Despite the struggle between the Emperor Go-Daigo and the usurping Hojo family that rocked Japan during these years, the Buddhist priest Kenko found himself "with nothing better to do, jotting down at random whatever nonsensical thoughts have entered my head." The resulting essays, none of them more than a few pages in length and some consisting of but two or three sentences, treat a great variety of subjects in a congenial, anecdotal style. Kenko clung to tradition, Buddhism, and the pleasures of solitude, and the themes he treats are all suffused with an unspoken acceptance of Buddhist beliefs. Above all, Kenko gives voice to a distinctively Japanese aesthetic principle: that beauty is bound to perishability....more

Paperback, Second Paperback Edition, 240 pages

Published May 6th 1998 by Columbia University Press (first published 1332)

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